GYRI draws on the artist’s continued engagement with polymers—materials responsive to touch, pressure, and memory. Each fold is not imposed but coaxed into existence through an intuitive process akin to playing an instrument. 

The sheet is pressed, bent, and massaged, where the gesture of one fold enables the next. This method of making reveals a choreography of interdependence: each form is only made possible by the presence of the adjacent, standing together in collective tension.

GYRI takes its name from the ridges of the cerebral cortex, where thought itself is structured through convolution. In this work, the fold becomes both spine and skin—an architectural gesture that holds itself in space through its own logic of repetition and variation.

The surface is no longer passive; it performs. It grows, not by addition, but by turning inward, collapsing, rising. As it unfolds, it holds the memory of each gesture, an imprint of its own making.